February 18, 2017
I’ve been busy since the year began with submitting my work to as many deadlines as I could. Many deadlines are early in the year for spring journal issues and annual contests. Below is a summary of what I’ve been working on.
Noon Poetry – https://noonpoetry.com/guidelines/
Acorn – It’s still open through the end of this month. I submitted early and got one happy acceptance! – https://acornhaiku.com/submissions/
Haiku Canada’s Betty Drevniok Award contest – http://www.haikucanada.org/awards/BDAwardGL.php?style=1&page=3001&root=1
Hedgerow – https://hedgerowpoems.wordpress.com/submissions/
Failed Haiku, ongoing, due by 25th of each month
Otata – https://otatablog.wordpress.com/2017/02/01/february-2017/
Golden Triangle contest – I had an honorable mention last year and my poem was displayed in Washington D.C. – https://goldentriangledc.com/event/golden-haiku-contest/
Bones – http://bonesjournal.com/submission.html
Cattails – http://www.unitedhaikuandtankasociety.com/submituhts.html
Prune Juice – https://prunejuice.wordpress.com/submissions/
Tinywords – still open – http://tinywords.com/about/
Brass Bell – http://brassbellhaiku.blogspot.co.uk
Chrysanthemum – http://chrysanthemum-haiku.net/en/submission-guidelines.html
ITO EN Oi Ocha New Haiku Contest – http://www.itoen.co.jp/new-haiku/en/rules_regulations/
Moon Garlic – http://www.moongarlic.org/p/subs.html
Sharpening the Green Pencil – http://sharpeningthegreenpencil.blogspot.ro/p/entry-form.html?m=1
IAFOR Vladimir Devide contest – http://iaforhaikuaward.org/submit/
Wild Plum contest – https://wildplumhaiku.wordpress.com/haiku-contest/
Sonic Boom – http://sonicboomjournal.wixsite.com/sonicboom/emotional
That’s just what I’ve entered or am entering through March 1st. A busy start to the poetry calendar!
September 3, 2016
Agnes Eva Savich
Writing Awards and Honors
Distinguished Poet, Italian Haiku Association International Matsuo Bashō Award, 2016
Merit Award (and translated into Japanese), ITO EN Oi Ocha New Haiku Contest, Japan, 2016
Translated into German, Chrysanthemum dual language journal, #19, 2016
Golden Triangle Haiku Contest Runner Up, 2016 (on display on public flowerbed placard in Washington, D.C.)
Editor’s Choice, Cattails, May 2016
Translated into Chinese, NeverEnding Story blog, 2016
The Haiku Foundation App, selected for inclusion, 2012
Featured Southwestern Haijin (Haiku Master), Roadrunner Journal, 2006 Issue VI:1
Winner, Real Baby funny pregnancy story contest, November 2006
Member Spotlight, Pathetic.org, 2005
Translated into French, tempslibres – free times, 2005
Translated into Romanian, SARM astro-poetry mini anthology, 2004
Writing Activities and Memberships
Member, Haiku Society of America, 2004-2007, 2016
Member, The Haiku Foundation, 2013
Workshop Presenter, “The Art of Writing Haiku”, Writer Grrls Retreat, May 2007
Member, Austin Writer Grrls, 2004-present
Haiku Poet Circle Moderator, The Tadpole Society, pathetic.org, 2004-present
Member, World Haiku Club, 2004-present
Member, HaikaiTalk Group, 2004-present
Savich, Agnes Eva. The Watcher: Poems. San Antonio, TX: Cedar Leaf Press, 2009. Print.
Savich, Agnes Eva. “kayaking alone”. Jiyu-Katari, 27th ITO EN Oi Ocha New Haiku Contest winners anthology. Tokyo: ITO EN, 2016. Print.
multiple previously published works, Living Haiku Anthology, 2016. E-book.
“stalactite” and “another birthday”, Wild Women Anthology, 2016. Forthcoming E-book.
Savich, Agnes Eva. “Tasting”. Haiku 21: an anthology of contemporary English language haiku. Lincoln, IL: Modern Haiku Press, 2011. Print.
“a line of boxcars” and “spring lightning”, bottlerockets, #34, 2016
“first day of school”, “lecture hall”, “Normandy”, and “morning commute”, Cattails, January 2016
“baby name book” and “school morning moon”, Frogpond, #39:1, 2016
“old tomato plants”, Acorn, #36, 2016
“summer’s end”, Frozen Butterfly, #4, 2016
“open casket”, “rainy afternoon”, “pharmacy lecture”, and “daylight savings”, Failed Haiku, April 2016
“sunrise” and “summer storm”, Modern Haiku, #47:02, 2016
“first stars”, tinywords, #16.1, 2016
“sickbed”, A Hundred Gourds, #5.3, 2016
“lilies lean” and “the quiet farm”, Chrysanthemum, #19, 2016
“spring honeymoon”, The Heron’s Nest, June 2016
“October morning”, “cold drink”, “the curve”, and “first cry”, Cattails, May 2016
“reunion bonfire” and “midday heat”, Presence, #55, 2016
“far from home” and “between words”, Wild Plum, #2.2, 2016
“half moon”, Bones, #10, 2016
“Ode to Joy” and “wind sings”, Cattails, Sept 2016
“a day to myself”, Acorn, #37, 2016
“spring honeymoon”, “Indian summer”, and “two wildflowers kiss”, WHR: World Haiku Review, June 2016
“thaw” and “lousy”, moongarlic, #7, 2016
“the airspace”, The Heron’s Nest, Sept 2015
“dog by dog” and “the missed note”, Presence, #53, 2015
“driftwood”, “moon app”, “same flowers”, and “silent lighting”, Cattails, Sept 2015
“jazz club awning”, A Hundred Gourds, #5.1, 2015
“snow”, “in the dark”, “the shadow”, and “a cough”, Under the Basho, 2015
“WATERF” and “given”, Bones, #8, 2015
“cliff dust”, The Heron’s Nest, #10, 2010
“overcast”, Acorn, #18, 2007
“dappled sunlight”, The Heron’s Nest, Vol IX, #4, 2007
“The Summer Grass”, co-written Triparshva Renku collaborative poem (with Norman Darlington, John Carley, Hortensia Anderson), WOW! Magazine, #5, 2007
“a sea of blossoms”, The Heron’s Nest, Vol. 8, #3, 2006
“early spring”, “a skipping stone”, “cloudless sky”, “crescent moon”, “frozen morning”, “quitting time”, “a dead dragonfly”, and “the same moon”, Roadrunner Haiku Journal, Issue VI:1, 2006 (Southwester Haijin Feature)
“anthurium behind glass”, Acorn, #16, 2005
“night nursing”, Acorn, #15, 2005
“Pussy Willow”, co-written Junicho Renku collaborative poem (with Linda Papanicoloau), Simply Haiku, Vol. 3, #4, 2005
“rain-heavy sky”, Frogpond, #1, 2005
“the way she braids”, Acorn, #14, 2005
“mother and daughter” and “cicada song”, The Heron’s Nest, #3, 2005
“quitting time”, The Heron’s Nest, #8, 2004
“swift clouds”, The Heron’s Nest, #6, 2004
“spring shower”, paper wasp, 2004
“stars” and “after sunset”, The Daily Yomiuri, 2004
“lights out”, Acorn, Spring 2004
“partly cloudy”, Frogpond, #3, 2004
“the smoothness”, Frogpond, #2, 2004
“first kick”, Modern Haiku, #35.3, 2004
“Orion Triptych”, Meteor Contemporary Project, June 2004
“Tasting”, Frogpond, #1, 2004
BA Comparative Literature, Northwestern University
Senior Administrative Associate, College of Liberal Arts Student Division, The
University of Texas at Austin
Other creative involvements
Oboist, The University of Texas University Orchestra (UTUO), 2016
Flutist, The Noise Revival Orchestra Experience, 2006-2010
Flutist, Austin Civic Orchestra and St. Edwards Summer Pops Orchestra, 2009
Reviews & References also available
August 14, 2016
The fall haiku journal publication season comes with a lot of summer deadlines: I currently have 112 poems out for submission! I am thrilled that I HAVE a body of work that is able to support such a robust variety of options (5-15 poems at a time). And of course I do hope this will yield some successful acceptances. Fingers crossed!
If you’re interested in submitting to some of the haiku magazines that still have open deadlines through the end of August, here is a selection of links:
July 24, 2015
Gearing up for mid-year submission season. I have a decade’s worth of haiku to sift through. I fell off the face of the planet? Oh yeah: kids, moved cross country twice, new jobs. Back in the saddle now! Reading the Acorn Sample poems to get started, along with The Heron’s Nest. And Modern Haiku‘s current samples, and of course the mothership, Frogpond. Wish me luck!
February 28, 2014
This sounds like an awesome idea, I love trains!
This summer we are moving back to Austin, TX. The kids will be turning 6 and 9, and they will both be in Elementary school. After cobbling together multiple part time jobs, and self owned businesses, it will be time for me to get a full time job again.
I have a Comparative Literature BA degree from the well-respected Northwestern University, but I do not have a singular career path. I have been these things, in no particular order:
a pre-school teacher, a small crafty business owner, jewelry maker, concert hall usher, web designer, social media manager, craft studio receptionist, poetry book author, band & orchestra musician, culinary travel company office manager (then ‘vice-president’), receptionist at a theme party prop warehouse, review copy writer, coordinator at a company which arranged nutritional elementary school field trips through grocery stores, a merchandiser, a field marketing agent for a variety of clients ranging from electronics to vacuums, and then a team lead followed by field operations manager of 110+ field agents specializing in a national grass roots marketing campaign for a major client.
With this last full time position, the rush of stability and career validation I had was wonderful. Unfortunately, in a twist of fate so common these days, a giant company bought the client company, which switched the financial focus to cut the funding to my company, and the funds were no longer there to support my ft position. I was soon let go and left gasping for air after almost a year of extremely intensive and gratifying work. I rose to corporate fame with a bonus and an employee of the quarter award. Just as quickly, it was all over and gone. But I was surprisingly such a rock star at coordinating so many people, details, schedules, client goals, and directives. I managed, I trained, I hired, I wrote well-worded reports and team-inspiring emails, I surpassed goals and exceeded expectations while sales grew from our efforts. I answered 300+ emails a day and had a conference call (or 3) every day. I felt like a puppet master artfully maneuvering hundreds of strings week after week.
I can think of several kinds of places I’d like to work, and several types of job functions I’d like to perform, but it seems like never the twain shall meet and I always wind up doing something I completely hate on a deep mind, body, and soul level (think vacuum cleaner demos for hours on end at a big box store.)
I know I can coordinate complex projects involving many people, and I can drive these projects to success because of my ability to communicate succinctly and quickly, to see the big picture, to stay organized in the face of thousands of coordination details, and to work hard until every last loose end that I can control is taken care of.
I know that I will not be a sales person. I can lead and motivate other people with excellent theories and methods on HOW to sell something, but I shall not sell something myself, anything other than something creative I’ve made. (So all those insurance sales companies that keep finding my resume, kindly just back off please.) I get very excited when sales happen as a direct result of what I’m doing behind the scenes, but I don’t want to be a sales person.
I know that I love the travel industry and it would be so awesome to work in it again. My first five years post-college were spend working full time for a small but dynamic specialized travel company. Sending people on trips tailored to their interests, and traveling on all those business trips to Italy to discover the hidden gems of family olive oil farms, b&b’s, wineries, and little known regions wanting to increase their tourism; these were some of my favorite employment years. Getting to occasionally use my French fluency was also fun! I travel(ed) regionally for my marketing & merchandising jobs, and even wound up booking a lot of travel for the marketing sales reps I managed, so travel seems to find its way into my jobs in one way or another.
It would also be great to work at a University in an administrative capacity. Those were some of the best years of my life and it is such a thriving environment, full of the promise of adult life and excited young people who are on their way to running the world for the next generation. It would feel great to be part of that world again.
Other agencies I’d like to consider are companies which deal with supporting the environment, creative arts education, and natural birth and baby care choices. I would love to live in the world of art museums and public art, coordinating logistics for large scale installations. I could also see myself thriving in events management such as music, art, or food festivals.
I also am a reformed Luddite and love the way technology has become a part of life and an extension of one’s brain for both entertainment and organizational purposes. There are so many cool high tech companies that not only produce these products but also really seem to care about the whole individual in terms of work-life balance, and making the work environment comfortable, fun, and cool. I would feel excited to go into work every day, and to work in a place that values the hard work and creative solutions I thrive on.
I know what inspires me. Art, music, creativity, writing, the world of the abstract. I am passionate about people having access to creativity, and about the environment. As a preschool teacher, I loved multi-sensory teaching, and multi-media art projects, and creative discussion and thinking. As an environmentally conscious person, I recycle and compost, reuse, and repurpose with fervor. I will always support natural processes such as natural birth, breastfeeding, cloth diapering, healthy & balanced nutrition, a peaceful mind and nurtured relationships. People have told me I should consider being a doula because of my ability to be sensitive to people’s needs. I love to spend time crafting my writing to say what I want to say in the most perfect way, like so many works of literature I analyzed in my academic years.
I know I’ve also brought these interests into my employment: organizing recycling at work, donations to animal shelters, bringing my writing skills to a killer report showing team success & goal achievements, or to editing culinary trip itineraries, redesigning the travel document packet for clients, making my own business cards, redesigning websites, teaching preschoolers how to write haiku, supporting mothers with helpful information in online forums, graphic design of promotional flyers and tickets. I am an amateur photographer and designed my own book cover with a double exposure technique I honed while at the Speos Institute in Paris. I am always looking for a way to do something better and in a more interesting and visually pleasing way. I can bring this into any job, and I want it to be valued.
I’d like to think that a potential employer or career partner could read this and think I’m the perfect person to be on their team, or to lead their team or project once I’ve thoroughly immersed myself in the company’s mission. And hopefully that mission will be one in line with my own passions and interests. If I could find a job which incorporates all of the above, my role as a human being, other than mothering my children and honoring my talents, would be so enriched and fulfilling.
Wish me luck in my pursuit of a job, I want to have a really good one next.
Once you make a decision, the universe conspires to make it happen.
–Ralph Waldo Emerson
Stop worrying. Just say enough is enough and turn it over to the universe… Do not picture your self going out and acquiring what you want, picture what you want coming to you.
November 23, 2012
A summary of the top five high quality print haiku journals (as opposed to online-only journals) and their basic submission rules. You can click on the title of the journal to go to their website (link opens a new page), explore some of their sample haiku and other content, find out how to subscribe to issues, and get some helpful haiku writing guidelines to ensure you are submitting quality literary genre haiku as opposed to silly pop culture haiku.
As we near the end of November, I’m very excited to start the publication quest with some of the fall haiku I’ve written this month. It’s been a very fruitful haiku harvest so far!
Submissions will be read during January/February and July/August only.
Please send submissions of 5-15 poems at a time. Posting to private, online mailing lists and workshops is not considered prior publication; however, appearance in an edited online journal or a public forum, or posting on Twitter, Facebook or a personal blog, renders a poem ineligible for submission. All copyrights revert to the author upon publication.
Email submissions are encouraged. Type “Acorn” in the subject line, and include your complete address in the message. Please type your haiku in the body of the email, formatted as plain text. Attachments will not be opened. Send email submissions to email@example.com.
Material submitted to Modern Haiku is to be the author’s original work, previously unpublished and not under consideration by any other publication, including Web-based journals, personal Web sites, blogs, social networking sites, etc. Editorial cut-off dates for the reading and selection of submissions are March 15, July 15, and November 15 (postmark), but material may be sent at any time and upon acceptance will be published in the next available issue. Editors read submissions year-round—but not continuously. Please do not be alarmed if 6–8 weeks pass before an editor makes a decision on your work. Please send 5–15 haiku/senryu and/or up to 3 haibun per submission by e-mail or post. No more than two submissions per issue, please.
Submitting by e-mail.
Send e-mail submissions of haiku, senryu, and haibun to the Internet address
Work may either be pasted in the message text or included as an attachment in MS Word or PDF format. Your message must be identified as “MH SUBMISSION” (this text only) in the Subject line. Be sure to include your full postal address and indicate how you wish your materials to be signed. Our response will be by e-mail. No payment or free author’s copies are made for e-mail submissions of haiku, senryu, or haibun.
Submission E-mail: firstname.lastname@example.org
1. Submissions from both members and non-members of HSA are welcome.
2. All submissions must be original, unpublished work that is not under consideration by a print or web-based journal. While posts on Internet sites such as Facebook or Twitter are eligible, posts on blogs are not.
3. Submission by e-mail is preferred: (a) in the body of the e-mail (no attachments) (b) with subject line: Frogpond Submission (c) with place of residence noted in the body of the e-mail
4. A submission by post will receive a reply only if accompanied by a self-addressed envelope with sufficient U.S. postage to reach your location.
5. Only one submission per issue will be considered.
6. The Submission May Include Any or All of the Following: 1. Up to ten (10) haiku 2. Up to three (3) haibun 3. Up to three (3) rengay or other short sequences 4. One (1) renku or other long sequence 5. One (1) essay 6. One (1) book review
7. Submission Periods: 1. February 15 to April 15 (Spring/Summer Issue) 2. June 01 to August 01 (Fall Issue) 3. September 15 to November 15 (Winter Issue) Acceptances will be sent shortly after the end of each period.
Please submit 5 – 15 poems at a time. SUBMISSION DEADLINES: March 15 (for the June issue) June 15 (for the September issue) September 15 (for the December issue) December 15 (for the March issue) Haiku may be sent at any time for consideration for the next available issue. Please include your city, state, and country for our author index.
Although we enjoy senryu immensely, we wish to focus on haiku.
Human presence is fine if presented as an archetypical, harmonious part of nature (human nature should blend in with the rest of nature rather than dominate the forefront)
SUBMISSIONS ARE TO BE SENT TO ONE OF THE FIVE FOLLOWING EDITORS:
Associate Editor: Fay Aoyagi
Associate Editor: Ferris Gilli
Associate Editor: Paul MacNeil
Associate Editor: Scott Mason
Associate Editor: Billie Wilson
Submission deadlines are April 15th, Sept. 15th, and Dec. 15th. We invite contributors to submit 1 to 2 pages of haiku, senryu, renga, haibun, or black-and-white haiga per issue.
Submissions can be sent by email to:
hockensm at gmail dot com
If you wish to submit haiku or other Japanese forms to paper wasp, they should be sent by email to: email@example.com
Don’t forget to include your name and return address!
We cannot pay for contributions; however, the first time your work is published we will send you a free copy of the issue in which it appears.
For subsequent contributions, we will send you a pull-sheet of the page with your work.